Cambrai, BM, 623: Difference between revisions
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==Literature== | ==Literature== | ||
Molinier, CGM, p. [https://archive.org/details/cataloguegnr17fran/page/241/mode/1up 241]. - {{author|Kuttner}}, Repertorium p. {{Kuttner|107}}. – {{author|Rambaud-Buhot}}, L'étude [https://archive.org/details/congresdedroitca0000cong/page/26/mode/1up p. 26] nota 3. – {{author|Melnikas}}, Corpus vol. 1 [https://archive.org/details/corpusofminiatur0001unse/page/98/mode/2up?view=theater fig. 62] (f. 1); p. 152 [https://archive.org/details/corpusofminiatur0001unse/page/152/mode/2up?view=theater fig. 27] (f. 112v) e passim. – Stickler, Ursprung 356. – CMD-Cambrai 83, pl. 86. - Mie Kuroiwa, « Working with Jean Pucelle and his successors: the case of the Saint Louis Master (Mahiet?) », ''Jean Pucelle: innovation and collaboration in manuscript painting'', London 2013, p. 115, 122 n. 55, 129, fig. 2. | Molinier, CGM, p. [https://archive.org/details/cataloguegnr17fran/page/241/mode/1up 241]. - {{author|Kuttner}}, Repertorium p. {{Kuttner|107}}. – {{author|Rambaud-Buhot}}, L'étude [https://archive.org/details/congresdedroitca0000cong/page/26/mode/1up p. 26] nota 3. – {{author|Melnikas}}, Corpus vol. 1 [https://archive.org/details/corpusofminiatur0001unse/page/98/mode/2up?view=theater fig. 62] (f. 1); p. 152 [https://archive.org/details/corpusofminiatur0001unse/page/152/mode/2up?view=theater fig. 27] (f. 112v) e passim. – Stickler, Ursprung 356. – CMD-Cambrai 83, pl. 86. - Mie Kuroiwa, « Working with Jean Pucelle and his successors: the case of the Saint Louis Master (Mahiet?) », ''Jean Pucelle: innovation and collaboration in manuscript painting'', London 2013, p. 115, 122 n. 55, 129, fig. 2. - G. Murano, The Life and Iconography of Gratian: A “Mise au Point” (Part II). ''Saeculum Christianum'', 32,2 (2025), p. 13. | ||
{{DEFAULTSORT:Cambrai, BM, 00623}} | {{DEFAULTSORT:Cambrai, BM, 00623}} | ||
Latest revision as of 10:09, 2 March 2026
| Library | Cambrai, BM |
|---|---|
| Shelfmark | 623 (574) |
| Century | saec. XIV |
| Provenance | Cathédral Notre Dame (Cambrai), n. 187 |
| European region of origin | unknown |
| General region of origin | Italia; Francia |
| Biblissima QID | Q240905 |
| Collection | Gratian, Concordia discordantium canonum |
| Digital Images | arca.irht.cnrs.fr (decoration only) |
| Description at 2 | arca.irht.cnrs.fr |
| Description at Biblissima | portail.biblissima.fr |
| CCFr ID | 004D23012237 |
| Author | Giovanna Murano |
The manuscript is a copy of Gratian's Concordia discordantium canonum.
Description
Membr.; 343 ff.; 476 × 295; Italia (tex.); Francia (dec.); sec. XIV (1318: Ibi et finis Decretorum, anno ab incarnatione Domini nostri Iesu Christi millesimo CCC°XVIII, die sabbati pasche; app. 1328: Explicit anno Domini M°CCC°XXVIII, die iovis ante natale Domini). Vignetta sull’iniziale H: il papa detta la Legge ad un monaco-scriba (Graziano). La decorazione è stata attribuita al Maître des vies de saint Louis (Mahiet ?) (Kuroiwa 2013).
Contents
Decretum cum Glossa ordinaria Bartholomaei Brixiensis.
Literature
Molinier, CGM, p. 241. - Kuttner, Repertorium p. 107. – Rambaud-Buhot, L'étude p. 26 nota 3. – Melnikas, Corpus vol. 1 fig. 62 (f. 1); p. 152 fig. 27 (f. 112v) e passim. – Stickler, Ursprung 356. – CMD-Cambrai 83, pl. 86. - Mie Kuroiwa, « Working with Jean Pucelle and his successors: the case of the Saint Louis Master (Mahiet?) », Jean Pucelle: innovation and collaboration in manuscript painting, London 2013, p. 115, 122 n. 55, 129, fig. 2. - G. Murano, The Life and Iconography of Gratian: A “Mise au Point” (Part II). Saeculum Christianum, 32,2 (2025), p. 13.
