Cambrai, BM, 623: Difference between revisions
m Text replacement - "Gratian, Concordia discordantium canonum" to " Gratian, ''Concordia discordantium canonum''" |
Replacetext (talk | contribs) m Text replacement - " Gratian, ''Concordia discordantium canonum''" to "Gratian's ''Concordia discordantium canonum''" |
||
| Line 9: | Line 9: | ||
| author1 = [[User:Giovanna Murano|Giovanna Murano]]}} | | author1 = [[User:Giovanna Murano|Giovanna Murano]]}} | ||
The manuscript is a copy of [[Gratian, Concordia discordantium canonum| Gratian | The manuscript is a copy of [[Gratian, Concordia discordantium canonum|Gratian's ''Concordia discordantium canonum'']]. | ||
== Description == | == Description == | ||
Revision as of 06:44, 29 June 2025
| Library | Cambrai, BM |
|---|---|
| Shelfmark | 623 (574) |
| Century | saec. XIV |
| Provenance | ? |
| European region of origin | Italia; Francia |
| Collection | Gratian, Concordia discordantium canonum |
| Digital Images | arca.irht.cnrs.fr (decoration only) |
| Description at | data.biblissima.fr |
| Description at 2 | arca.irht.cnrs.fr |
| Author | Giovanna Murano |
The manuscript is a copy of Gratian's Concordia discordantium canonum.
Description
Membr.; 343 ff.; 476 × 295; Italia (tex.); Francia (dec.); sec. XIV (1318: Ibi et finis Decretorum, anno ab incarnatione Domini nostri Iesu Christi millesimo CCC°XVIII, die sabbati pasche; app. 1328: Explicit anno Domini M°CCC°XXVIII, die iovis ante natale Domini). Vignetta sull’iniziale H: il papa detta la Legge ad un monaco-scriba (Graziano). La decorazione è stata attribuita al Maître des vies de saint Louis (Mahiet ?) (Kuroiwa 2013).
Contents
Decretum cum Glossa ordinaria Bartholomaei Brixiensis.
Literature
Molinier, CGM, p. 241. - Kuttner, Repertorium p. 107. – Rambaud-Buhot, L'étude p. 26 nota 3. – Melnikas, Corpus I, fig. 62 (f. 1); p. 152 fig. 27 (f. 112v) e passim. – Stickler, Ursprung 356. – CMD-Cambrai 83, pl. 86. - Mie Kuroiwa, « Working with Jean Pucelle and his successors: the case of the Saint Louis Master (Mahiet?) », Jean Pucelle: innovation and collaboration in manuscript painting, London 2013, p. 115, 122 n. 55, 129, fig. 2.
